News and random musings from Guster.
Ever since their humble beginnings at Tufts University, Guster have always sought to outdo themselves. They sell out New York’s fabled Radio City Music Hall one year and perform with the Boston Pops at Symphony Hall the next. They sell out a 33-date college tour, and this past spring founded the eco-friendly Campus Consciousness Tour, with buses powered by biodiesel and performances powered by wind power. It’s in this overachieving band’s nature to one-up itself.
So don’t expect it to be any different with the release of Guster’s new album, Ganging Up on the Sun. The Boston-bred band’s fifth studio release may be a melody-minded, breezy, free-spirited, literate pop record like its predecessors—2003’s Keep it Together, 1999’s Lost and Gone Forever, 1996’s Goldfly, and 1994’s Parachute—but this time around, Guster are “more fearless than ever before,” says singer-guitarist Ryan Miller. They’ve pushed themselves both stylistically and emotionally, resulting in their most confident and superlative work to date.
“This album has our loudest song (“The Beginning of the End”), our quietest (“Empire State”), and our longest (“Ruby Falls”). “One song has one of our most sincere lyrics (“Hang On”) and definitely some of our most cynical.” While Miller doesn’t cop to any specific lyrical themes (“I write a melody and words pop up around it”), he does note that most of the words were written against the backdrop of “a president taking a country to war based on some very dubious rationale.”
You can hear a thread of dissent in songs like “Captain,” “Lightning Rod,” “Manifest Destiny,” and “The New Underground.” “But I never want to be preachy,” Miller says. “I’m not telling you whose face to throw a pie in. I’m just trying to exorcise some frustration, some anger, and maybe a provide a channel for someone else’s frustration and anger.”
Ganging Up on the Sun’s sunny, driving-with-the-top-down melodies, vintage harmonies, and warm guitar jangle do recall artists you’d associate with the ’60s and ’70s—bands who also wrote during a time of war and societal mistrust of government—such as CSNY, Mamas and the Papas, Fleetwood Mac, the Band, the Rolling Stones, and Tom Petty. Are Guster wearing their influences a bit more on their sleeve this time around?
“The word ‘classic’ was used a lot throughout recording as a goal for the sound of this album,” singer-guitarist Adam Gardner says, “and it definitely has a more classic rock feel to it.” Adds Rosenworcel: “I think when we switched from the ‘just guitars and percussion’ shtick to using whatever was in front of us, we ended up sounding more like bands we were listening to.”
The shtick he’s referring to is Guster’s early years as a trio when, onstage, front men Miller and Gardner stuck to acoustic guitars and Rosenworcel played bongos with his bare hands. They’ve come a long way since then, and even added a member. Ganging Up on the Sun is Guster’s first album as a four-piece: Joe Pisapia, a Nashville-based multi-instrumentalist who played on Keep it Together and performs with them live, joined full-time when they began recording the new album.
“Joe is by far the best musician in the band,” says Miller. “He can play every instrument and has taken our level of musicianship up about seven notches. Brian, Adam, and I spent ten years together in rooms, buses, and vans—it means so much to have this new energy as part of our equation. It still feels very much like Guster, just a more confident, muscular, refined Guster.”
Not only did Pisapia add texture and oomph to the tracks by playing banjo, dulcimer, trumpet, and lap steel guitar, he also served as producer for half of the songs, which were recorded at Nashville’s Sound Emporium and completed at Pisapia’s home studio, Ivy League, from January to April 2005. The second batch were recorded later in the year at the secluded mountaintop studio Allaire in Shokan, New York, with Ron Aniello, who also worked on Keep it Together.
"I think in the back of my mind I knew we were writing our best material yet," says Rosenworcel. One of the highlights is the lead-off single “One Man Wrecking Machine,” which is about a guy who hates his life and wants to go back to “the good ole days” and hang out with his buddies, get high, and make out with the hottest girl in school, as Miller puts it. “I’ve had that fantasy my entire adult life,” he says, “Like, what if I had the confidence of a 30-year-old man as a high school sophomore?”
Another highlight on Ganging Up on the Sun is the seven-minute “Ruby Falls,” a celestial epic that features an uncharacteristic muted trumpet in the outro (“I listen to that solo and think ‘that’s on my record’?” says Rosenworcel). “Personally, I can’t wait to play ‘Ruby Falls’ live,” says Miller. “Not just because I love the song, but because I think there’s a power to it that may even be bigger than what we captured in the studio. Or I could be wrong and we’ll sound like the Carpenters.”
“I just love that our band feels unpredictable right now,” Rosenworcel says happily. “I love that no one knows what to expect from us.”
This is a big announcement for us, Gusterrhoids! We’re putting on one final 25th Anniversary Weekend this summer at Thompson's Point in Portland, Maine. August 12th. We’re calling it “GUSTER — ON THE OCEAN” because the show is, well… waterfront.
And we’ve got The Maine Youth Rock Orchestra performing a set with us that night! And we’ve got a small all ages harbor cruise concert on 8/11! And we’re gonna kayak to a remote island and play an all ages concert on 8/13! No one will starve / drown! And we’ve got a special Guster Party Amtrak train going up from Boston on 8/12 with special rates! And we’ve got the The Ghost of Paul Revere and Spencer Albee opening up the show! And Adam’s gonna tell you all where to eat / drink / paddle board because he’s from Maine!
The milking of our 25th Anniversary officially ends with ON THE OCEAN and we’re going out with a destination weekend celebration the likes of which you won’t see again until we begin milking our 30th anniversary in 2022.
Tix ($40) go on sale Wednesday 5/3 at 10am via pre-sale (Code: ONTHEOCEAN) or Friday 5/5 at 10am to the general public. Get links + full info on all the festivities at: www.ontheoceanfest.com
Spam, err...invite your friends to the Facebook event: http://bit.ly/GUSOCEANFB
Some things are worth fighting for.
Adam is in Washington DC today with Reverb for the People's Climate March. Keep an eye out for Adam if you're down there or find a march near you at: www.peoplesclimate.org
Did you know that The Thundergod is a fantasy NBA geek?
Brian worked with the folks at www.fantasypostseason.com to put together a charity league of indie drummers, who are currently competing during the NBA playoffs. Picking one player each day, these drummers will compile points for the stats their players put up, and Fantasy Postseason will donate $2500 to the charity of the winning drummer’s choice. Brian is playing for the ACLU and is currently in 4th place because he went with Rudy Gobert from Utah the day he got injured. Such bullshit.
Here’s who’s competing:
Dan Bailey from Father John Misty
Janet Weiss from Sleater-Kinney
Brian Rosenworcel from Guster
Chris Tomson from Vampire Weekend / Dams of the West
Bob Nastanovich from Pavement
Steve Alexander from Rotoworld (not a drummer)
Good luck, Brian! Don’t sleep on Giannis!
CBS's Matt Norlander repping Guster once again at the Final Four.
The Natick Community Organic Farm is auctioning a collection Guster 25 memorabilia to benefit their teen programs. Includes a signed bongo head with visible blood stains, Brian’s famous “intestines” shirt and an Improper Bostonian Magazine with Guster on the cover from October 2006, signed by Ryan, Adam, and Brian.
ebay.com Also included are Brian’s famous “intestines” shirt and an Improper Bostonian magazine with Guster on the cover from October 2006, signed by Ryan, Adam, and Brian. | eBay!
Luke worked on Sarah Jarosz's new album Undercurrent, which won two Grammys on Sunday night, including Best Folk Album. Congrats to Sarah and Luke.