New full-length 'Obituary' is out now on CD/LP/Digital via Relapse Records. Order and album details at bit.ly/ObituaryST
This is the "Official" Facebook Of Obituary.
Upon switching their name from Xecutioner to Obituary, the career of one of the most successful and influential Death Metal bands began. Hailing from Florida and featuring John Tardy (vocals), brother Donald Tardy (drums), Trevor Peres (guitar), Allen West (guitar), and Daniel Tucker (bass), the band signed to Roadracer Records, a now defunct division of Roadrunner, for the recording of their debut album—the immense and immeasurably heavy “Slowly We Rot” (1989). The album was engineered by the legendary Scott Burns at Morrisound Studio, which would come to be the most sought after facility for production of albums during 1990’s rise of the Death Metal genre. Unlike much death metal preceding it, the album had a sludgy feel and integrated devastatingly slow passages along with obliterating overtures that reached far beyond any point of mayhem that metal had yet to reach; the result was a carnal pleasure for doom, death and thrash fans alike coupling the adrenaline of a speedball with the slow, degrading measures of a sewer at dusk. Like them or not, Obituary was unlike anything anyone had heard before.
“Slowly We Rot” was chaotic, bass heavy mix of manic guitar solos and crashing drums, but it was undeniably characterized by vocalist John Tardy’s disarmingly horrific, gargling style, that created guttural chasms of dread which though often strived for, to date have been paralleled by none. The ability to augment tempo so drastically became the band’s trademark along with Tardy’s unique vocal style, which distinguished them clearly from the rest of the emerging Florida Death Metal bands; nowhere is this more apparent than on the prophetic title track of their debut. The fact that Obituary refrained from printing lyric sheets with their albums led people to believe that they didn't actually write any lyrics. Some may question the verbosity or absence of documented lyrics, however, any true fan has each grunt, growl and howling grimace committed to memory like an utterance from God in painstaking form—what does not exist can not be remembered, and an Obituary show is testimony to the re-creation of what your ears couldn't believe in the first place. Once again bringing augmentation to irony, Live and Dead worked quite well for the quintet, dividing your conscience yet leaving much to the imagination; not since birth have your senses been so graphically assaulted yet pleased at the same time. While such differing sensations once seemed incongruous, Obituary have proven the ability to merge unlikely dichotomies, from their slow-as-hell-yet-fast-as-fuck style to the non-evil, homegrown approach to what would largely become the satanized, bastardized, make-up wearing movement known as Death Metal.
The maturation of the musicians into songwriters taking more visionary and complex forms would soon be heard world wide as Obituary took metal by storm in 1990. Despite their youth upon release of their sophomore offering, “Cause of Death” embodied the confident swagger of the most fearsome pack-leading hound. From the insidious growls of John’s vocals to the barrage of Donald Tardy’s thunderously-metered explosions of double bass, “Cause of Death” was the intention and method as promised by the early threat of “Slowly We Rot”; for Obituary, Death was just the beginning. Accordingly, the title track alone (“Cause of Death”) would be heard, regurgitated, manipulated, complimented and collapsed—but never duplicated—on third and forth generation death metal albums for years to come. Lovecraftian imagery and aural morbidity aside, even a deaf man found fear when confronted by the formidable visage of guitarist Peres; entering Frank Watkins, the hulking henchman of a bassist from South Florida, finally provided long-needed and powerful rhythm stability to the line up. However, the grinding of the axes would not be complete until the return of Xecutioner veteran Allen West, who, along with Peres and Tardy, crafted the foundation for most of Obituary’s most primordial and historic moments. Attack now whole, Obituary had given birth—sight, sound and feel—to a true horror greater than metal had ever known.
The paradox herein lies that Obituary was anything but a summation to and end, but more an exploratory journey into the infinite dehumanization of all that is known, as confronted brazenly by their best selling release yet, “The End Complete” and later followed by the cynical and dark expedition of “World Demise”. Reunited with songwriter West, the band was conjoined like quintuplets sharing life and a name. Though finality was possibly inferred by these titles, Obituary was anything but finished. Ironically, the images conjured by songs such as “Don’t Care”, “Platonic Disease” and “World Demise” seemingly foretold of the millennium as can now be seen daily, displayed plainly across the screens of CNN and reality TV programs world wide; not bad for a bunch of rednecks from Florida with Budweiser dreams and bongwater nightmares.
2004 brings reason for Obituary fans to rejoice, the sunken eyes and heaving cries have all but abated. Obituary has only aspired to live up to the standard they have set for themselves, one that numerous bands have strived to duplicate, but never attained, falling short both creatively and in lack of the unique talent that each member contributes to the near indescribable Obituary sound. Like a forgotten corpse in the basement, Obituary are back to haunt, taunt and fully pollute your senses. Fermenting like waste in the hot Florida sun, Obituary return from hiatus with the voracity of a starven wretch. The forfeiture of time brings blessings of brutality, and assurance that the Dead shall indeed rise again. Such aural abrasion can only be heard on an Obituary album or the live circumcision of a thirty-year-old man, the choice is yours...
New album 'Obituary' is out now on CD/LP/Digital via Relapse Records. Order & full details: http://bit.ly/ObituaryST
We're proud to announce the Battle of the Bays co-headlining tour with Exodus coming this Fall! Additional support provided by Power Trip and DUST BOLT. Tickets are on sale Friday, June 16th @ 10AM (Local). Full list of tour dates below. See you soon!
--- All Dates Sep 14 to Oct 15 w/ Exodus, Power Trip and Dust Bolt ---
Sep 14 Durham, NC @ Motorco
Sep 15 Virginia Beach, VA @ Shaka's Live
Sep 16 Baltimore, MD @ Baltimore Soundstage
Sep 17 Sayreville, NJ @ Starland Ballroom
Sep 19 Brooklyn, NY @ Music Hall of Williamsburg
Sep 20 Worcester, MA @ Worcester Palladium (Downstairs)
Sep 21 Burlington, VT @ Higher Ground
Sep 22 Quebec City, QC @ Impérial Bell
Sep 23 Ottawa, ON @ Bronson Centre
Sep 24 London, ON @ London Music Hall
Sep 26 Grand Rapids, MI @ The Intersection
Sep 27 Columbus, OH @ Park Street Saloon
Sep 28 Indianapolis, IN @ Deluxe at Old National Centre
Sep 29 Joliet, IL @ The Forge
Sep 30 Minneapolis, MN @ Skyway Theatre
Oct 01 St. Louis, MO @ The Ready Room
Oct 03 Lawrence, KS @ The Granada Theater
Oct 04 Ft. Collins, CO @ Aggie Theatre
Oct 06 Sacramento, CA @ Ace Of Spades *
Oct 07 Los Angeles, CA @ The Teragram Ballroom *
Oct 08 San Diego, CA @ The Observatory North Park
Oct 10 Tucson, AZ @ The Rock
Oct 11 Albuquerque, NM @ Sunshine Theater
Oct 12 El Paso, TX @ Tricky Falls
Oct 14 San Antonio, TX @ Paper Tiger *
Oct 15 Baton Rouge, LA @ Varsity Theatre - Baton Rouge, LA +
* No Exodus
+ Obituary, Dust Bolt ONLY
Thanks for ALL the Awesome comments..We plan on staying very busy in support of the NewAlbum and are working on the Tour Schedule right now and we have something you guys are going to love!!!
Hang tight and prepare to get excited..!!
...but first, our European Summer Festival Scedule is Confirmed..!
ALL DATES ON THE OB WEBSITE:
Where will WE see YOU?
Where would you like to see Obituary play next?
Please donate if you can to help Dave 'Big Shirt' Nicholls wife and family..
Sad day for the music world. We just learned that our good friend and big brother Dave "Big Shirt" Nicholls has passed away. You might not recognize his name or face but you know his sound.
Obituary and Corrosion of Conformity were lucky enough to have him as our live FOH sound engineer early in our careers and we even invited him to Florida in 1994 to Co-Produce the World Demise Album at Morrisound Studios with us. He has been Slipknot's live Soundguy for the past 15 years and was a master at his craft!
Our thoughts are with his wife and family...
We are gonna miss you Biggin'. Thank you for everything you did for all of us who were lucky enough to have you behind the mixing desk!
...til we meet again.
We would like to thank everyone who came out and joined us on this EastCoast RedNeck Run. We had an absolute blast with you guys!!
Hope you enjoyed a little dose of FloridaDeathMetal and we look forward to seeing you again on the Next Obituary American Tour!!